don't flick that cigarette over here One of the greatest flicks in cinema history. I once read he hadn’t intended to actually hit Stephen Baldwin with the cigarette in “The Usual Suspects,” and it wasn’t in the script, so The Ultimate Guide to Stop

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John Deming in Cold Front Mag has discussed Collinss concern for those reading his poems because the transmission of poem to head takes place always elsewhere and in silence, in the mysterious space where poems liveCollins lets us access this place with alarming graciousness, and the openness of his voice probably helps account for his popularity. Poet-critic Richard Howard has said of Collins: He has a remarkably American voicethat one recognizes immediately as being of the moment and yet has real validity besides, reaching very far into what verse can do. Collins has described himself as reader conscious: I have one reader in mind, someone who is in the room with me, and who Im talking to, and I want to make sure I dont talk too fast, or too glibly